Facing Evil: When the Story Starts Talking Back
The Work Behind True Crime and the Cost of Not Looking Away
Most people think they understand true crime. They’ve watched the documentaries. Heard the podcasts. Followed the headlines. But what they’re seeing is the version that’s been edited. Structured. Made safe enough to consume.
What they don’t see is what happens before that.
The letters that arrive from prison—sometimes years after the first contact. The interviews that don’t follow the script. The moment you realize the person you’re speaking to isn’t just answering questions—they’re studying you back.
Facing Evil is not about the crime. It’s about what happens when you get close enough to it that distance stops existing.
This series comes out of years spent working inside cases most people only encounter through a screen. Cases involving individuals who committed acts that are almost impossible to process from the outside.
But this isn’t a retelling.
There is no narrator guiding you through evidence. No voiceover creating separation. No clean arc that begins and ends with resolution. These stories are told from inside the process—through the perspective of the producer who stepped into them, stayed in them, and, in some cases, had to find a way back out.
Because the truth is, you don’t just “cover” this kind of work. You absorb it. And it doesn’t happen all at once. It builds slowly.
One conversation that lingers longer than it should.
One exchange that crosses a line you didn’t realize was there.
One moment where you’re no longer sure if you’re documenting the story—or becoming part of it.
That’s the part no one talks about.
The psychological cost of proximity. The blurred boundaries between subject and storyteller. The quiet, cumulative weight of spending years in conversation with people the world has already decided are beyond understanding.
Facing Evil is about that.
Not as spectacle. Not as entertainment. But as an unfiltered look at what it actually means to go inside these stories and stay there long enough to tell them.
The series will be released as both written essays and podcast episodes, because some stories don’t sit quietly on the page. And others shouldn’t be rushed past in audio.
This is not a series about making darkness digestible. It’s about removing the distance that allows it to be. Because once you step inside a story like this. Once it starts responding to you, shaping itself around you—you don’t get to go back to being just an observer.
You’re part of it now.
Facing Evil publishes as both written and audio. Subscribe to get each release as it drops.